Had a bit of rain as they say, well those that specialize in understatement. Someone from the Bureau of Meteorology might say it was a category 5 cyclone eventually developing into a tropical low. Suffice to say, a lot of water from the sky, resulting in a lot of water on the ground. As a result of this purifying deluge the air is brilliantly clear and although the temperature has returned to it's normally warm summerness, it feels clean. For other people this might spur them to plant small green things, or brown things which will become green things. For me it spurs a return to my keyboard. The words want to spring from my fingertips like the sprouting green things. There is a muse in the air and it is whispering her seductions.
This is a time when I store away the sensations and awareness of where I am for another day. I will now forever have the feel of clean warm breeze against my bare arms stored away in the filing system of my mind. The damp smell of earth and rotting leaves is there somewhere too. The soft white noise of the fan doggedly pushing a small breeze into my little writing corner. Magpies shouting warning cries over the clang and hydraulic roar of the waste removal truck. Little patches of silence filled only with the breezy paper rustle of shredded palm leaves. All this is now mine. Copied, stored, kept somewhere in my brain. So when my heroine needs to look outside her window I know exactly how the grass will smell and what sound the trees are making.
I never grow weary of stepping into a new world, most of the time I have no idea what I am going to find.
Well a busy week and a half of little writing but much thinking, which as it turned out was very productive. When I did get to the keyboard the dialogue just flowed onto the page. I've started on the second of my regency paranormals, this one is tentatively called The Sailor's Lass. I'm on the second scene and so far so good. I have plotted out the beginning of this one but haven't got much further. The characters didn't care and started without me. Charles, Charlotte's brother from The Soldier's Woman, seems to be much more of a pivotal character than I had ever envisaged.
It was interesting because the characters took up the story as if I had just walked back in on them. I have an idea of where my story was going but now I'm not so sure. The landscape is much richer and the characters are bringing along their friends.
I could say the same thing of the other books I am working on. Yes, I know you not supposed to work on more than one thing at a time, but I have never been able to be so single-minded. The exception being deadlines, where I seal myself into my 'mind palace' and ring the walls with explosive devices. My short 'environmental fairytale' with romantic elements has taken itself off the back burner and plonked itself on my keyboard.
All this activity was triggered by one thing that had been percolating somewhere in the grey folds of my cerebral cortex - dialogue. There comes a point in my storytelling where I can hear and see the characters. This is the point where it becomes necessary for me to document their dialogue. And yes, it is really is documenting what they are saying. For most of the story I am the director, but at these moments I am listening to my characters. At the 2012 Writers Festival Maryline Hume (MD Hume), who writes the Arthurian historical fiction, said she just ran after her characters madly writing down what they were saying. I totally get that.
A strange mix of plodding slowly through the plot and flitting from one exciting adventure to the next.
Ecologist and environmental scientist, tea-drinker and editor, futurist and student of irony, reader of romance and science fiction, practicing cat-herder (nobody can ever be a Master cat-herder). Frequently succumbs to the need to write. Rarely succumbs to the need to vacuum.